Thijl is of serious art historical
importance
'[...] In no way can Thijl be called a conservative production.
But grand it certainly is: hundreds of musicians, singers
and crew are involved. [...] The beautiful scene is
dominated by a 144-ton sand sculpture representing
the town of Gorinchem, cleaved by the sword of king
Philip II of Spain.
[...] After his father’s execution - a scene that makes your hair stand on end - the unpolitical Thijl grows into a freedom fighter and conquers Gorinchem. At the opera’s end he dies and arises: Thijl is the symbol of Flanders, and while it may sleep sometimes, it never dies.
Van Gilse turns out to have been an action composer with a good sense of drama. The opera’s main strength are its mass scenes, cleverly produced by Wim Trompert, with much room for ambiguity and humor.'
Joep Stapel in NRC - 4 juli 2018
translations: Writech, Remco Nieuwenhuis
An impressive performance
'[...] The Utrechtsch Studenten Concert has delivered an impressive performance by resurrecting this almost forgotten opera in a professional and indeed spectacular manner. [...]
To have the many who die in this story led away by Death himself is a masterly stroke of inspiration. He returns again and again, until in the end Thijl, the personification of immortal Flanders, resists him.'
Frits van der Waa in De Volkskrant - 2 July 2018
The orchestra’s hard work pays off
Jan van Gilse: 'Thijl'
Utrechtsch Studenten Concert (2018)